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The Bamboo Man

The
sun was setting beyond the bamboo trees. Ratna looked like a lucid dream, gathering
her straw baskets in the fading evening light. Ranga held her in his gaze and
felt as if the entire charm of the forest had gathered in her. Those days,
whenever he looked at Ratna, he had a queer feeling that she was Kusumala Devi,
the mythical Soliga beauty, and only a deity could marry her. Local folklore
had it that Rangaswami — the patron deity of
the hills, and considered to be the manifestation of Lord Vishnu —
saw her picking tubers in the forest. Enamoured by Kusumala Devi’s beguiling
beauty, he proposed to her and they married after her willingness. When Ranga
told Ratna about his feelings, she laughed out loud.
“There
is no Swamy, appa,” she said. “There are only men left on earth now. Some are
like bamboo trees and some are wild trees.”
“Now
tell me do you think are we?” Then she asked, looking seriously into Ranga’s
eyes.
“We
are Soligas, Ratna. We’re the bamboo people.”
“We
can be wild trees, too, appa,” she said in a strong tone.
Wild
trees . . .! He fell silent, and felt as if something had shattered somewhere
deep inside himself. The sensation of severe grief began to his heart sink.
For
years he had wished to become a wild tree, deep rooted into the ground to
spread his branches all around over the earth. He had joined Gowda’s political
party with that single goal in his mind, and did whatever he could to gratify
his passionate desire. He had stayed there and swallowed and endured all the
mulch and muck he was given — the food, the water,
and the air. But in the most recent gram panchayat elections, when Gowda chose
Shivappa to replace him as a member, a disheartening disbelief overwhelmed
Ranga. He could not understand what was left for him because he was hindered
from becoming a wild tree.
Would
he ever be able to become a wild tree? Ruminating, repining, and lighting a
cheap bidi, he sat down under a six-hundred-year-old Dodda Sampige tree (huge
Champaka tree). The evening whispered in the whirling waters of nearby flowing
the Bhargavi River with its darkness descended
secretly from unknown spaces.
This
darkness had been the destiny of the Soligas since times immemorial.
The
Soligas, an indigenous tribe, had lived for centuries in the forests spread
around the Biligiri Ranga betta, white rock hills, in Karnataka. These forests
were their refuge, their sustainer, their deity. They were an inseparable part
of the forests, and were familiar with every nook and cranny of the place. They
wandered in the forests without any fear or fret. The forest scent wafted from
their clothes. They bowed before Bidiramma Tayi —
the tribal goddess of the bamboo. And their bond with nature was so deep and
strong that they sincerely believed they were born from the bamboo trees. They
were the bamboo people. They reveled and frolicked in these forests, and roamed
so freely, unwarily and aimlessly around that the government felt it was
crucial and exigent to give their life a meaning and a purpose. It issued
several laws to bring them to live closer to civilized human beings.
They
were given lands, and settled in podus, houses, built exclusively for
them. And in this way, they started
living in huts made from bamboo and dry grass.
They
collected amla, shikakai, honey, tubers and bamboo from the
forests, and began to earn money by selling them. Many NGOs came up to create
general awareness among them, and built schools for them, but . . .
Ranga
took a long puff on his bidi and saw how desolate and insignificant his
village looked, drenched in the darkness of the evening. The roads lay unpaved,
drinkable water was scarce, houses stood dilapidated, and electricity was still
a rarity.
What
did they get by falling into the category of civilized human beings?
They
observed the constantly changing government laws, the shrinking forests, a
generation moving away from its customs and traditions, their general
backwardness and poverty, and ruminated despairingly on the life whose
yearnings, dreams, and quests had captivated their hearts and minds in its
enchanting spell. Where was that life?
“Namaste
Ranga.” Someone’s voice brought him out of the world of thoughts. He was Shankara.
“I am going to Gopala’s house for some medicine. Nagamma has caught a bad
cold.” As he said that, Gopala’s features flashed before Ranga’s eyes.
Well-dressed, hardworking and kind-hearted, Gopala was a very nice young man
who worked in the dispensary. He kept a good stock of medicine at his home, and
used to give it to the villagers whenever the dispensary was closed.
“Gopala
is a good boy,” Shankara kept on singing his praises. A fleeting thought
sneaked into Ranga’s mind. He must be a perfect match for Ratna. But he
immediately shook the thought off. So what if he is a nice man! My Ratna too is the personification of
Kusumala Devi whom no less than a Swami would seek as his bride.
I
wish something like this could happen.
After
Shankara’s departure, he began to circumambulate the Dodda Sampige tree with
folded hands, worshipping the Shiva Lingams put up there, praying for his
daughter.
Ø
Dressed
in clothes that smelled like the forests, walking in the forests that spread
far and wide, pausing here and faltering there, Ranga felt as if the trees
turned towards him no sooner than they saw him and bowed down to greet him. His
heart overflowed with passion, and he clung to them unintentionally. There was
something beating inside them. And the rustle of their leaves was in perfect
harmony with his breath. Suddenly he remembered that these trees had also
endured a lot. So many of them were chopped down. And others were still being
axed every day. They were falling down all over the forest trails. People had
terrorized the forests for their own benefit. Nothing was left safe. The
forests were shrinking and the trees were disappearing.
A
bit disheartened and sad, he started collecting tubers.
He
walked towards the pond and sat down under the dense shade of a wild tree near
it and just stared into the distance, as the afternoon sun started getting
hotter. But what was that? For a moment, shock held him immobile. There was not
a leaf or blade of grass around as far as his eyes could see. Only jumbles of
noxious lantana weeds were spreading their spiky, poisonous leaves all over the
place. Trampling the chest of the earth, clutching the entire area in their
deathly clasps, absorbing all the manure, air, and water, they had asserted
their venomous existence everywhere. How could natural grass grow in their
presence? What would the wild animals eat? It was very important for the
Soligas to follow their unique ancient weed cleaning method of Theregubenki, or
the grass fire. Long dry grass should be set on fire, but the government had
banned it. Who was going to start grass burning?
He
was returning from the forest after gathering the tubers when he came across
Harisha who looked very upset.
“What
happened?” He asked worriedly. “Is everything okay with you?”
“What’s
left there to tell you now, Ranga?” Harisha was about to cry. “I don’t have
money to pay the interest on my loan. And Nagappa has threatened me to take
away my daughter if I don’t pay off.”
This
was yet another complaint against the man. The news about Nagappa’s oppression
and excesses were constantly pouring in. But he and Harsha were friends.
“What
are you talking about?” Ranga was taken with surprise.
“Help
me, Ranga,” Harisha beseeched with desperation. But Ranga did not know what to
do. He reassured Harisha, but himself became very anxious. The younger
generation had not yet realized where it was heading to. Nagappa was the son of
Buddy Bangarappa, and they were hereditary money lenders. But nothing like that
had yet happened. They had never set their evil eyes on any woman. It was not
the way of the Soligas to be on the lookout for the daughters of others. No one
knew how and why Nagappa had stretched his arms so long that his was the only
authority spread far and wide, crushing all that came under his feet, clutching
the entire area in his fists, trampling the earth, absorbing all its
nourishments, its air, its water. The Soligas were left with no recourse, and
had started to suffocate.
Theregubenki —
thought Ranga. But who will start this fire?
Ø
The
night was getting darker in the dense forests.
A
large tent was erected in the village with electric light bulbs hanging from
it. There was a lot of light all around. Film songs were blaring out raucously
from the loudspeakers attached to the poles. The whole village had gathered
there and were celebrating their traditional annual festival Rotti habba. As
the evening fell, the villagers received blessings of their Thimmadi —
local priest — after performing
puja of the Dodda Sampige tree. They made bread with the Ragi —
a finger millet widely grown as a cereal in their fields —
and offered it at the feet of the deity. They then distributed and ate the
bread and hummed joyful songs.
Ranga,
on the other hand, was sitting among a clump of trees under the open sky, his
bamboo-like body was wrapped in Jotra —
the traditional apparel of the Soliga men, a cloth from waist down to knee, and
a piece of cloth wrapped around the shoulder to ward off the cold. He was
listening to a guide who was talking to a group of tourists.
“They
will now start the Goru Goruku Gorukana dance. The boys will dance and the
girls will choose their spouse for, whom they will throw biscuits or sweets. If
the boy agrees, they will both go to the forest for a few days. Then the boy
will return to take the blessing of the head of the village. He will pay twelve
rupees as compensation and get married. This is the custom of the Soligas.”
Suddenly
the noise of a movie song grew so loud that Ranga felt as if an earthquake had
struck. He saw that all the boys were dancing wildly to that tune. They
gradually included the tourists also to it, and to amuse and entertain them
they even went to the extent of surrendering their self-respect.
Deva…
what has happened to this generation! Ranga was visibly distressed.
He
began to feel very helpless, lost in the world of his thoughts. When the noise
became unbearable, Ranga felt he could not breathe. He walked about to sit at
the feet of the Lord. And at a close distance, he saw Ratna in a crowd of
girls, bathed in spring water with her hair adorned with wild flowers. Wearing
a floral printed sari, she was looking like Kusumala Devi. He also saw Gopala, busy
in preparing for the dance. There were other boys there too. Nagappa was one of
them.
I
don’t know what’s going to happen. He mused as he sat quietly beside Prema.
He had no idea what hour of the night it was
when the Goruku began. The boys began to dance in a circle around the big
Sampige tree. And the girls watched their dance amorously, gathering the
burning intoxication of youth in their half-opened eyes.
“I
have asked Ratna to choose Gopala,” Prema whispered.
But
my Ratna is Kusumala Devi for whose hand the Swami will come.
Ranga thought.
The
boys were lost in their dance, singing Goruku:
“And
the spider was weaving its own web,
Dodda
Sampige, my lord, protect ourselves.”
The
night was getting colder. Skipping, hopping, faltering, twisting, holding the stars
in their eyes, and carrying moonlight on their faces, the girls were throwing
biscuits and sweets on their favourite boys. Ranga sat motionless, quietly
gazing at Ratna. And Ratna was engrossed in herself, sitting with other girls —
quite unaware of her surroundings. She kept looking and thinking, and then
suddenly threw a few pieces of sweets. But on whom and why? Ranga was stunned
with utter astonishment when he learnt the answers to his anxieties. It was
Nagappa whom Ratna had selected as her spouse. Suddenly Ranga felt as if the
hot burning sun had just risen and fallen inside him. And then a fire broke out
in the bamboo forest, spreading its blaze far and wide.
….
(Translated
from URDU by Syed Sarwar Hussain)
v
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Author
Salma Sanam is one of those women writers from South India who have made their mark in the Urdu Fiction. Belonging to Bangalore, the District of Karnataka, India, she was born as Syeda Salma Bano and is a lecturer of Zoology. In 1990, she wrote her first short story, “𝘙𝘰𝘴𝘩𝘯𝘪” (The Light). Her collections of short stories include: “𝘛𝘰𝘰𝘳 𝘗𝘦𝘳 𝘎𝘢𝘺𝘢 𝘏𝘶𝘢 𝘚𝘩𝘢𝘬𝘩𝘴” (The visitor of Mount Sinai), “𝘗𝘢𝘵𝘩𝘫𝘩𝘢𝘳 𝘒𝘦 𝘓𝘰𝘨” (The Autumnal People), “𝘗𝘢𝘯𝘤𝘩𝘷𝘪 𝘚𝘢𝘮𝘵” (The Fifth Direction), and “𝘘𝘢𝘵𝘢𝘢𝘳 𝘔𝘦𝘪𝘯 𝘒𝘩𝘢𝘥𝘦𝘺 𝘊𝘩𝘦𝘩𝘳𝘦𝘺” (Queued Up Faces). She is also the recipient of many national and international awards for her fiction.
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